Out of the Ordinary - An Arts Award Bronze Course in Clay Bead-making with Tim Broughton

A Course in Clay Bead-making contd.

Tim Broughton, the tutor,  is a jeweler who has been in the trade for 45 years and who now works from a studio in Swinton, Greater Manchester,as well as teaching courses in jewelry and delivering workshops in clay.  A graduate of the University of Salford, Tim also has an active interest in archaeology and antiques.

https://www.facebook.com/BridgewaterStudios

Each pupil had a different idea of how to colour their beads.  A set of ceramic paints was provided, as well as cocktail sticks on which to place the beads while they were being painted.  They could then be stuck into some clay, as a support, whilst the paint dried.

Some of the pupils chose to paint the beads with a small paintbrush, although another had the idea of pouring a selection of coloured paint onto some clean water in a small pot.  She then dipped the beads into the the water, with the aid of cocktail sticks, or wire could be used,  and collected paint from the surface, producing a marbled effect.  A variety of paint effects was achieved by their experiments.

Some of the students decided to use the negative spaces and make medallions.

The beads were threaded onto copper wire in the first instance to form a bangle .








Серебристый и медные браслеты.

Then each pupil was measured for a silver bangle and it was recommended that fewer beads were threaded onto the silver in order to show off the precious metal.

The ends of the bangle were formed into a loop using round nose pliers.

Out of the Ordinary - An Arts Award Bronze Course in Clay Bead-making with Tim Broughton

A Course in Clay Bead-making

Tim Broughton is a jeweler who has been in the trade for 45 years and who now works from a studio in Swinton, Greater Manchester,as well as teaching courses in jewelry and delivering workshops in clay.  A graduate of the University of Salford, Tim also has an active interest in archaeology and antiques.

https://www.facebook.com/BridgewaterStudios


Tim told the group about the history of jewelry, and that one of the earliest forms was made with clay beads threaded onto a torq.

The  pupils were then shown how to make beads by taking a small piece of white air-drying clay and rolling it around in the palm of their hands.  They could also roll the bead around on a flat surface if they wished.  Then Tim showed them how to pierce a hole carefully in the centre of the bead with a cocktail stick.

The students were also shown how to make long, thin beads, but these had to be treated with more care, as they could be fragile. The best size for these beads is about a half inch.  Piercing a hole through this type of bead is more difficult than through the round beads.

There was another method of making beads, which was by cutting into a thin layer of clay with shaped cutters.  There was the opportunity to make a variety of shapes and this time a hole needed to be pierced towards the edge of the shape.  The hole needs to be reasonably wide, so that the copper or silver wire fits through it.

The pupils set to work and produced a great number and variety of beads, which were left to dry for a few days....

Schüler von Oasis Akademie in Salford, Greater Manchester, machten Perlen aus Luft-trocknen Ton.

Dzieci produkowany szeroki wachlarz biżuteria z gliny podczas ich pierwszej lekcji.

Une grande variété de perles sont faites par les élèves d'Oasis Academy, Media City, Salford, quand ils apprennent à faire des bijoux avec Tim Broughton.

La gama de abalorios realizados por los alumnos de la Academia de Oasis, Media City, Salford, sólo está limitado por la imaginación!

La gamma dei talloni realizzati dagli studenti dell Accademia di oasi, Media City, Salford, è limitata solo dalla fantasia di questi studenti!

Lapset tekevät koruja!

بچوں کو مٹی جپنوں